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    <ns1:title language="en">&quot;The Power of the Written Word&quot;</ns1:title>
    <ns2:subtitle language="en">Literary Impressionism in Conrad&apos;s &quot;Youth&quot;</ns2:subtitle>
    <ns1:language>en</ns1:language>
    <ns1:description language="sr">Jezik, književnost, moć / Language, Literature, Power : zbornik radova, Filozofski fakultet u Nišu, 2023, str. 397-407</ns1:description>
    <ns1:description language="en">Joseph Conrad’s famous statement in the “Preface” to The Nigger of the
“Narcissus” – “my task which I am trying to achieve is, by the power of the written
word... to make you see” – is often taken as a pithy expression of the goal of the
impressionist movement in literature. It implies devising a method of writing which
would enable the reader to visualize with special acuteness the scenes and events
presented in a narrative. However, in his study, What Was Literary Impressionism?
(2018), Fried proposes a new understanding of this literary movement which
foregrounds the act of writing itself. Based on his analysis of the impressionists’
works, primarily those of Stephen Crane and Joseph Conrad, Fried argues that what
these authors “make the reader see” is in fact the very scene of writing. As Fried
maintains, the impressionists unwittingly and automatically metaphorize the action
of inscription, the materiality and the production of writing, through motifs such as
upturned faces, maps and charts, or the relation between visual and aural signifiers.
The paper proposes to analyse Conrad’s well-known short story, “Youth”, by referring
both to the traditional understanding of the power of words in impressionism, and
to Fried’s poststructuralist one, by laying emphasis on the following aspects of the
writing process: erasure and inscription.</ns1:description>
    <ns1:keyword language="en">Joseph Conrad, Michael Fried, literary impressionism, impressionist techniques, scene of writing</ns1:keyword>
    <ns1:coverage language="sr">str. 397-407</ns1:coverage>
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