
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/">
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:source>Applied Media Studies Journal</dc:source>
  <dc:source>volume: 6</dc:source>
  <dc:source>number: 1</dc:source>
  <dc:source>startpage: 55</dc:source>
  <dc:source>endpage: 70</dc:source>
  <dc:date>2025</dc:date>
  <dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode</dc:rights>
  <dc:language>eng</dc:language>
  <dc:title xml:lang="eng">What Does Love Have To Do With This : Gendered Representation of Writers and Their Creative Process in Different Cinema Productions</dc:title>
  <dc:format>application/pdf</dc:format>
  <dc:format>389689 bytes</dc:format>
  <dc:subject xml:lang="eng">OSNO - Opšta sistematizacija naučnih oblasti, Filmska umetnost</dc:subject>
  <dc:subject xml:lang="srp">OSNO - Opšta sistematizacija naučnih oblasti, Filmska umetnost</dc:subject>
  <dc:subject xml:lang="eng">film, creative process, cinematic expression, love, writer</dc:subject>
  <dc:subject xml:lang="srp">film, kreativni proces, filmski izraz, ljubav, pisac</dc:subject>
  <dc:description xml:lang="eng">Applied Media Studies Journal, Vol. 6, No 1, 2025, str. 55-70</dc:description>
  <dc:description xml:lang="eng">The research addresses in what way romantic films manage to display the bond
that exists between love and writing. This thematic representation brings additional
information to current literature on movie narratives and emotional experiences
extending knowledge about depiction of these issues on a screen. The research is
based on media, narratives and semiotics. This perspective plays an important role in
dealing with the problems of formation and the purpose within the structure of film
narrative, which provides a reliable framework for the study. The paper examines how
the writers relate to their subjects in different types of world cinema. It explores how
these relations have been dealt with in different societies and contains both general
ideas and more specific cultural aspects. Such a study is important for the view-making
of the issue of creativity in the structure of cinematic storytelling.</dc:description>
  <dc:creator id="https://orcid.org/0000-0002-4434-8282 https://plus.cobiss.net/cobiss/sr/sr/conor/9093991">Simeunović Bajić, Nataša</dc:creator>
  <dc:identifier>https://phaidrani.ni.ac.rs/o:3088</dc:identifier>
  <dc:identifier>doi:10.46630</dc:identifier>
  <dc:identifier>ISSN: 3042-3600</dc:identifier>
</oai_dc:dc>
